Jeremy Blake

Autumn Almanac

October 31 – December 20, 2003

Jeremy Blake
Pink Palace, 2002-03
oil on canvas
12 x 14 inches overall

Jeremy Blake
Zoom Out, Future Skull, 2002-03
oil on canvas
12 x 16 inches and 12 x 9 inches

Jeremy Blake
Open Society (Michel Auder, Barnett Newman & Viva), 2002-03
oil on canvas
12 x 16 inches

Jeremy Blake
Where To Begin?, Beaumarchais, 2002-03
oil on canvas
12 x 10 inches and
12 x 16 inches

Jeremy Blake
Planet Waves, 2003
C-print
40 x 101 1/2 inches
edition of 6

Jeremy Blake
Little Ms. Understood, Stolen Glass Ashtray (For Dike Blair), 2002-03
oil on canvas
12 x 9 inches and 12 x 9 inches

Jeremy Blake
Hidden Treasures 1, Yes It's My Real Name, 2002-03
oil on canvas
12 x 18 inches and 12 x 9 inches

Jeremy Blake
Blues Before Sunrise, 2002-03
oil on canvas
12 x 21 inches overall

Jeremy Blake
The Topanga Incident, Hidden Treasures 2, 2002-03
oil on canvas
12 x 12 inches and 12 x 18 inches

Jeremy Blake
Saffron Park, The Grand Tour, 2002-03
oil on canvas
12 x 16 inches and12 x 10 inches

Jeremy Blake
We're For The Dark, 2002-03
oil on canvas
12 x 29 inches overall

Jeremy Blake
Are You Ready For The Ocean?, Tall Poppy Preserve, 2002-03
oil on canvas
12 x 10 inches and
12 x 20 inches

Jeremy Blake
Tarzana After Dark, Medicine Chest, 2002-03
oil on canvas
12 x 9 inches and 12 x 10 inches

Jeremy Blake
Am I Really Flying High Over America?, 2002-03
oil on canvas
12 x 20 inches

Jeremy Blake
Nyquill Into Dayquill
2002-03
oil on canvas
12 x 19 inches

Jeremy Blake
California Splint, 2002-03
oil on canvas
12 x 26 inches

Jeremy Blake
Gulley Jimson, Suns of San Joaquin, 2002-03
oil on canvas
12 x 9 inches and 12 x 18 inches

Jeremy Blake
Moving Target, The Young Detective, 2002-03
oil on canvas
12 x 20 inches and 12 x 10 inches

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

 

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Reading Ossie Clark,  2003
Still from DVD with sound for plasma or projection
9 minute continuous loop

Press Release

Autumn Almanac
October 31 - December 20, 2003

Feigen Contemporary is pleased to announce "Autumn Almanac", the Gallery's third solo show of artwork by Jeremy Blake. The exhibition will include the premiere of a new DVD projection titled "Reading Ossie Clark", a new C-print, and thirty-two works on canvas, marking Blake's recent return to studio painting.

In the Front Gallery will be an installation of a large digitally rendered c-print across from a series of small oil paintings, nostalgically titled "Autumn Almanac" after the 1967 Kinks song written by Ray Davies as he strolled through his London neighborhood. Punctuated by both figurative and non-objective imagery of personal references to popular culture, the horizontal sequence of intimate yet vibrant paintings implies an abstract narrative structure similar to the accompanying DVD projected in the adjacent gallery.

Jeremy Blake's "Reading Ossie Clark", collages original film, drawing and still photography with both painted and digital elements in a 9-minute continuous loop narrated by "art world doyenne" Clarissa Dalrymple. In memory of Swinging London's premier fashion designer, Ossie Clark, the animated film follows the arc of his career from its influential prime in the late 60's and early 70's, when he outfitted and enchanted celebrities and socialites around the world, to its grim conclusion of being stabbed to death by his companion 1996 at the age of 54.

 


The script for the artwork is a prose poem inspired by various fragments of Ossie Clark's published diaries. Clark's groundbreaking work in fashion may be familiar, but Blake found his diaries to be fascinating and stunning artifacts as well. For the film, Blake created hand-painted and digitally animated forms inspired by Clark's colorful, stream-of-consciousness entries. Here the name-dropping and glamour-gossip integral to Clark's musings mingle with blossoming shapes that morph according to the tone and tempo of Dalrymple's voice. Moving abstractions slowly resolve to actual filmed footage as well as floral and geometric motifs based on the patterns of Ossie Clark's dresses. With this work Blake pays homage to Clark's extraordinary talent while capturing impressions of his fast-paced and unsettling life. In the process Blake created a cinematic, psychological and poetic portrait of Clark and the times he represented.

Jeremy Blake currently has a solo exhibition at the Museo Nacional Centro de Arte Reina Sofia in Madrid. He is represented in the collections of several museums worldwide, including the Whitney Museum of American Art, The San Francisco Museum of Modern Art, and the Museum of Contemporary Art, Los Angeles.