Blessed Are The Merciful

Curated by Jerome Jacobs

February 10 – April 29, 2006

Daniele Buetti
Blue Hands, 2005
perforated digital c-print on aluminum lightbox
47 1/4 x 63 x 3 1/2 inches

Annie Sprinkle
40 Reasons why Whores are my Heroes
16 Polaroids, text, mat, frame

Carlos Aires
Untitled (from the series 'Happily Ever After'), 2004
lambda print on metallic paper and polyurethane frame
68 1/2 x 55 x 4 3/4 inches

Carlos Aires
In a Glass Darkly(detail), 2005
lambda prints with polyurethane frames
dimensions variable

Carlos Aires
Untitled (from the series 'Happily Ever After'), 2004
lambda print on metallic paper and polyurethane frame
55 x 68 1/2 x 4 3/4 inches
 

Carlos Aires
In a Glass Darkly (installation view at Brussels), 2005
lambda prints with polyurethane frames
dimensions variable

Cedric Tanguy
Cedracula with Romulus & Remus, 2004

Cedric Tanguy
Soldats, 2004
63 x 47 inches

Charley Case
The 2 Marys (Picasso, Raphael), 2005
2 video projections on postcards
6 x 4 inches each

Charley Case
The 2 Marys (Picasso, Raphael), 2005
2 video projections on postcards
6 x 4 inches each

Charley Case
The 2 Marys (Picasso, Raphael), 2005
2 video projections on postcards
6 x 4 inches each

Charley Case
The 2 Marys (Picasso, Raphael),2005
2 video projections on postcards
6 x 4 inches each

Charley Case
The 2 Marys (Picasso, Raphael),2005
2 video projections on postcards
6 x 4 inches each

Charley Case
The 2 Marys (Picasso, Raphael),2005
2 video projections on postcards
6 x 4 inches each

Colin Cook (with Bill Shambaugh)
Self Portrait With Fists, 2005
pencil on paper
26 1/2 x 21 1/4 inches

Colin Cook (with Bill Shambaugh)
Self Portrait With Pushed Face and Pressed Nose, 2005
pencil on paper
26 1/2 x 21 1/4 inches

David Nicholson
Reason and Fury, 2006
oil on canvas
90 x 130 inches

Dominic McGill
That Which is Good, 2006
mixed media
29 x 24 1/2 x 24 1/2 inches

Dominic McGill
That Which is Good, 2006
mixed media
20 1/2 x 18 3/4 x 20 5/8 inches

Eric White
The Truth Yet Again Asserts Itself in Obdurate Reprisal, and in So Doing Belies
the Fact That You, No Longer Besieged by Doubt, Have Come to the Conclusion
That Maybe Things Aren't Really All That Bad After All
, 2006
oil on canvas
60 x 36 inches

Carrie Yamaoka
koolpop #21, 2005
urethane resin and mixed media on mylar
73 x 46 inches

Jimi Dams
Eat This!, 2005-2006
graphite on vellum
17 x 21 inches framed

Jimi Dams
Die Vögelein schweigen im Walde, 2004
graphite on vellum
17 x 20 inches framed

John Isaacs
Let's dance, 2005
bronze, steel, tape, paper
23 3/4 x 23 3/4 x 35 1/2 inches
edition of 3

John Isaacs
Let's dance(detail) , 2005
bronze, steel, tape, paper
23 3/4 x 23 3/4 x 35 1/2 inches
edition of 3

Kerry Skarbakka
Jesus!, 2003
c-print

Leopold Rabus
Les corbeaux et le lit, 2005
oil, glitter and varnish on canvas
95 x 75 inches

Matt Marello
Apocalypse Now, 2006
pencil on watercolor paper
22 1/4 x 30 inches

Michael Van Den Besselaar
Bombardier Interior, 2005
oil on linen
7 works, each: 12 5/8 x 12 5/8 inches framed

Michael Van Den Besselaar
Chevy Interior, 2005
oil on linen
7 works, each: 12 5/8 x 12 5/8 inches framed

Michael Van Den Besselaar
Chrysler Interior, 2005
oil on linen
7 works, each: 12 5/8 x 12 5/8 inches framed

Michael Van Den Besselaar
Falcon Interior, 2005
oil on linen
7 works, each: 12 5/8 x 12 5/8 inches framed

Michael Van Den Besselaar
Gulfstream Interior, 2005
oil on linen
7 works, each: 12 5/8 x 12 5/8 inches framed

Michael Van Den Besselaar
Hummer Interior, 2005
oil on linen
7 works, each: 12 5/8 x 12 5/8 inches framed

Michael Van Den Besselaar
Lincoln Interior, 2005
oil on linen
7 works, each: 12 5/8 x 12 5/8 inches framed

Nezaket Ekici
Hullabelly, 2002
still from DVD with sound
2 minutes

Nezaket Ekici
Hullabelly, 2002
still from DVD with sound
2 minutes

Nezaket Ekici
Hullabelly, 2002
still from DVD with sound
2 minutes

Nezaket Ekici
Schleierkampf/Veil Fight, 2004
still from DVD with sound
2 minutes

Nezaket Ekici
Schleierkampf/Veil Fight, 2004
still from DVD with sound
2 minutes

Nezaket Ekici
Schleierkampf/Veil Fight, 2004
still from DVD with sound
2 minutes

Petroc Dragon Sesti
Event Horizon, 2005
black plinthe, turbine, glass, fluid
80 x 28 x 28 inches
72 x 20 x 20 inches

Ronald Opihuis
Srebrenica, 2003-2005
oil on canvas
138 x 201 inches
3 panels: 138 x 67 inches each

Ronald Opihuis
Srebrenica,1995 , 2005
oil on canvas
33 1/2 x 47 inches

Ronald Opihuis
Lamentation, 2005
oil on paper, framed
33 1/2 x 47 inches
 

Ryan McNamara
Send Me,2006
still from DVD with sound
10 minutes looped

Ryan McNamara
Send Me, 2006
still from DVD with sound
10 minutes looped

Ryan McNamara
Zombies are Angels, too, 2006
still from DVD with sound
14 minutes looped

Ryan McNamara
Zombies are Angels, too, 2006
still from DVD with sound
14 minutes looped

Ryan Mcnamara
Face Flesh, 2006
6 3/8 x 6 3/8 inches

Ryan McNamara
Where Babies Should Be (with Scout McNamara), 2006
c-print
dimensions variable
Photographer: Lacey Leigh Lovell

Ryan McNamara
Angel, 2005
c-print

Ryan McNamara
Green Pool, 2006
c-print

Ryan McNamara
Mom Hand Plate, 2006
embossed plate

Ryan McNamara
Green Face, 2006
c-print

Ryan McNamara
The Mortises (with Kool-Aid Mizrahi), 2006
music CD

Samuel Rousseau
Plastikcity, 2005
video projection on plastic assemblage
60 x 50 x 10 inches

Samuel Rousseau
Plastikcity, 2005
video projection on plastic assemblage
60 x 50 x 10 inches

Samuel Rousseau
Plastikcity, 2005
video projection on plastic assemblage
60 x 50 x 10 inches

Shadi Ghadirian
Qajar Series, 2001
sepia print
37 1/4 x 25 1/2 inches framed

Shadi Ghadirian
Qajar Series, 2001
sepia print
37 1/4 x 25 1/2 inches framed

Shadi Ghadirian
Qajar Series, 2001
sepia print
37 1/4 x 25 1/2 inches framed

Shadi Ghadirian
Qajar Series, 2001
sepia print
37 1/4 x 25 1/2 inches framed

Shadi Ghadirian
Qajar Series, 2001
sepia print
37 1/4 x 25 1/2 inches framed

Shadi Ghadirian
Qajar Series, 2001
sepia print
37 1/4 x 25 1/2 inches framed

Shadi Ghardirian
Like Everyday (Domestic Life), 2001
c-print
21 x 21 inches framed

Shadi Ghardirian
Like Everyday (Domestic Life), 2001
c-print
21 x 21 inches framed

Shadi Ghardirian
Like Everyday (Domestic Life), 2001
c-print
21 x 21 inches framed

Shadi Ghardirian
Like Everyday (Domestic Life), 2001
c-print
21 x 21 inches framed

Shadi Ghardirian
Like Everyday (Domestic Life), 2001
c-print
21 x 21 inches framed

Shadi Ghardirian
Like Everyday (Domestic Life), 2001
c-print
21 x 21 inches framed

Stephen J Shanabrook
L.O.V.E. as a List Of Vicarious Edges, 2006
mixed media
40 x 40 inches

Yoshua Okon
US, 2005
DVD
3 minutes and 40 seconds looped

Yoshua Okon
US, 2005
DVD
3 minutes and 40 seconds looped

Press Release

Blessed are the Merciful
Curated by Jerome Jacobs
February 10 - April 29, 2006

Blessed are those who are sensitive to the misery and misfortune of others.

The world today revolves around a few key elements: money, power and religion. It's impossible to know where to turn to, given the indifference of friends and the hostility of enemies. Our planet is heading towards global haggling, and piety has once again become a weapon of mass manipulation and a means of taking, keeping and justifying power.

Yet never before has the expression of religion been so far removed from its roots and from the way in which it was originally expressed. Far from being a belief or philosophy of compassion and love, it is often corrupted by abusive, omnipotent fanaticism. In our western eyes, of course, it is Islam - as expressed by terrorists and other extremists - which has become the standard example of this abuse of religion. Yet the abuse of Islam is not, by any means, the only example of abuse of a religion. Christianity is also re-living a sombre era with an upsurge in fanaticism, a schism between believers and increasing extremism.

Science is evolving, explaining, frightening and dehumanising. Money is building, accumulating and dividing. The human dimension is becoming lost in this globalisation of its being which is diluting and isolating it. The media are underpinning this abuse of the spirit in favor of the material. Consumption of television programs is replacing citizenship, freedom is being stifled and democracy is turning into autocratic populism. Lies are invading the public arena.

The response of the financial, political and intellectual oligarchies is formidable and effective: silence those who think. Panem et circences, food and amusement. Above all, there is new religious opium aimed at making us believe that the only way to return to basics is through austerity, a withdrawal into one's shell and denial of the other. The only landmark is God and the privileged few who can understand and interpret Him for you. Even the authenticity of "love" is controversial. This word explains everything, forgives everything and validates everything because we never try to find out exactly what it covers.

Religion, dogma and nationalism are nowhere concerned with compassion, love and discovery of the other, but rather with severity, hatred and judgement of others. A great feeling of fear of God and of the other. This feeling that we face divine punishment for every pleasure, every convenience, every freedom and liberty we gained so painfully in the past century.

It is vital to give back to collective life a decency that it has completely lost, and to private life a substance that it never really acquired.
 

This exhibition endeavours, not without humor and a jarring ironic tone, to inculcate a sense of conscience through the surprising works of these twenty-four artists, and to bring us back to the roots of our Western faith: compassion and consideration of the misery of others.

"Blessed are the merciful, for they shall obtain mercy." Matthew 5:7

Jerome Jacobs, January 2006
Independent curator and gallery owner (Aeroplastics, Brussels)
For more information on Aeroplastics Contemporary, click here