Between the Walls

Opening Reception October 20, 2018

October 20 – December 14, 2018

Rachel Granofsky
Exposed Brick, 2017
pigment print, ed. of 5
32 x 42 inches

Rachel Granofsky
Bowl Sink, 2017
pigment print, ed. of 5
42 x 56 inches

Rachel Granofsky
Reno (Guts), 2016
pigment print, ed. of 5
18 x 24 inches

House of Revelations

Keri Oldham
House of Revelations, 2018
watercolor on paper
22 x 22 inches

Haunted Vigil

Keri Oldham
Haunted Vigil, 2018
watercolor, graphite, and paper-pulp on paper 
50 x 47 inches

Deadly Night Fortress

Keri Oldham
Deadly Night Fortress, 2018
watercolor, graphite, and paper-pulp on paper 
47 x 43 inches

Keri Oldham
Harvest, 2018
watercolor on paper
24 x 24 inches

Gretchen Scherer
Collections at the Palace, 2018
oil on panel
18 x 24 inches

Gretchen Scherer
Interior with Trompe l' Oeil, 2018
oil on panel
18 x 24 inches

Gretchen Scherer
A Day at the Met, 2018
oil on panel
18 x 24 inches

Gretchen Scherer
Dark Hall with Portraits, 2018
oil on panel
18 x 24 inches

Polly Shindler
Dressing Room...Versace Scarf, 2018
acrylic on canvas
16 x 20 inches
 

Polly Shindler
Fireplace with Yellow and Teal Chairs, 2018
acrylic on canvas
16 x 20 inches
 

Polly Shindler
Museum with Bench, 2018
acrylic on canvas
16 x 20 inches

Polly Shindler
Pink Chair on the Ocean, 2017
acrylic on canvas
16 x 20 inches
 

Polly Shindler
Chartreuse Chair, 2018
acrylic on canvas
11 x 14 inches

Polly Shindler
Le Corbusier Chair with Painting (Sophie Tauber), 2018
acrylic on canvas
11 x 14 inches

Polly Shindler
Sitting Room with Biomorphic Coffee Table, 2018
acrylic on canvas
16 x 20 inches

Polly Shindler
Black Floral Sofa with Ceiling Fan, 2018
acrylic on canvas
20 x 16 inches
 

Polly Shindler
Pink Sofa with Stained Glass Windows, 2018
acrylic on canvas
11 x 14 inches

Polly Shindler
Lemon Dining Room, 2018
acrylic on canvas
20 x 16 inches

Ann Taube
Death Beds, 2013
gouache, paper collage, yarn and flocking on wood panel
50 x 37 inches

Ann Taube
Family Room (Sister), 2017
gouache and pencil on panel
28 x 22 inches
 

Polina Barskaya
After the Bath, 2018
acrylic on panel
18 x 24 inches

Polina Barskaya
Reading in Bed, 2017
acrylic on panel
18 x 24 inches

Polina Barskaya
Self Portrait in Mirror with Mask, 2017
acrylic on panel
16 x 20 inches

Polina Barskaya
Milan, 2018
acrylic on panel
9 x 12 inches

Polina Barskaya
Terracina (yellow curtain and white table), 2018
acrylic on panel
16 x 20 inches

Polina Barskaya
Bathroom Self Portrait, 2018
acrylic on panel
8 x 10 inches

Polina Barskaya
Self Portrait with Basket, 2018
acrylic on panel
16 x 20 inches

Polina Barskaya
Self Portrait in Talavera Mirror, 2018
acrylic on panel
24 x 18 inches

Heeseop Yoon
Room with Chandelier, 2018
black masking tape on mylar

Heeseop Yoon
Detailed, 2017
black masking tape on mylar

Heeseop Yoon
Hide and Seek, 2017
black masking tape on mylar
 

Heeseop Yoon
Still Life with Keyboard, 2014
black masking tape on mylar
12 x 18 feet

Katie Stout
Double Girl Lamp, 2017 
in hand-built and painted ceramic with textured shade 
10 x 10 x 25.75 inches
 

Katie Stout
Double Girl Lamp - Close up, 2017 
in hand-built and painted ceramic with textured shade 
10 x 10 x 25.75 inches

Katie Stout
Double Girl Lamp - Up Front Close Up, 2017 
in hand-built and painted ceramic with textured shade 
10 x 10 x 25.75 inches

Katie Stout
Double Girl Lamp - from behind, 2017 
in hand-built and painted ceramic with textured shade 
10 x 10 x 25.75 inches

Colette Robbins
Ranomania, 2017
PLA, acrylic and graphite powder
42 x 7.5 x 5.75 inches

Colette Robbins
Randomania, 2017
PLA, acrylic, and graphite powder
42 x 7.5 x 5.75 inches

Colette Robbins
Patternicity, 2016
PLA, acrylic, and graphite powder
23.13 x 6.5 x 6.25 inches

Colette Robbins
Barnum Effect, 2017
PLA, acrylic, and graphite powder
21.5 x 3.63 x 4.13 inches

Press Release

TILLOU FINE ART will present Between the Walls, a group exhibition featuring work by 9 female artists: Polina BarskayaRachel GranofskyKeri OldhamColette RobbinsGretchen SchererPolly ShindlerKatie StoutAnn Toebbe and Heeseop Yoon.  The exhibition explores the intimate spaces we live in and the kinetic energy we leave behind. 

From the stylistic creation of a home to unseen histories tucked away - our living spaces are collections of objects and psycho-emotive symbols.  At their best our homes offer comfort, self-reflection and familiarity, at their worst - banality, haunted memories and localized chaos.  Between the Walls explores the homes we create and offers a seismic reading on the anomalies tucked within our four walls.

Gretchen Scherer’s paintings of gilded mansions, hallways and staircases expand and contract like a dream. Drawing directly from vintage antique and home décor magazines, Scherer creates her own interiors- part fantasy and part reality.  For Ann Toebbe, home spaces and their decorative layouts are clues to a larger story.  Her spaces are viewed from above like an architect’s blueprint, yet through nuance and decoration each painting reveals stories about their inhabitants. Similarly, artist Polly Shindler crafts paintings of overstuffed sofas, favorite chairs and bedroom nooks.  Her work speaks to the necessity and pleasure of crafting our home spaces as well as the personality these objects bring to the way we live.  Working in ceramics, Katie Stout’s practice is shaped by an urge to subvert commonplace household objects such as lamps, rugs and mirrors. Her voluptuous figurative ceramic lamps combine dark irony with playful celebration. 

 

Polina Barskaya’s intimate self-portraits capture the quiet and raw banality of being at home. From the bedroom, to the kitchen, or bathroom, her work expresses the everyday and the spaces we inhabit in the most basic and physical ways.  Also drawing on the everyday, installation artist Heeseop Yoon creates work about forgotten spaces and the clutter we collect. Photographing basements, garages and over-piled closets, Yoon draws chaotic collections of objects then unleashes them in large scale installations. 

Rachel Granofsky’s photographs satirize the staged home imagery found in online real estate websites in NYC. Working without any post-production editing techniques, her work serves as a reminder on the deception present in real estate photography, Instagram-able home imagery and human perception in general.  Keri Oldham’s watercolor paintings depict haunted houses that cross between cabins and crime scenes.  Her work explores the psychic residue of spaces and the trauma a home can hold, even after its inhabitants have moved on.  Utilizing the iconic Rorschach Test, Colette Robbins creates domestic sculptures that invite personal projections. Her inkblot inspired sculptures act as portals to our inner worlds and are portraits of our mental interior ‘home’.